Poets Kiss and Make Up At the showdown he – My poetasting Erstwhile friend of mine – Had dangling from his arm His singing acolyte and I had my accoutrement in tow, A Francophilic philosophe We made a truce of sorts United in our deprecation of The melody and chord that Carried on their backs The most insipid ignorant vapidities – The words, I mean, of song – Which on their naked own Would make an emperor’s Ipecac The only little problem was That this created difficulties for The girl guitarist who had tried to Croon his mots before but then Decided they were just a bit arcane (An understatement) And began to write her own To strum against Her music was okay but, I admit, The text she used made schmaltz appear Like caviar And as we listened I could see Upon my colleague’s face The struggle waged Between a poet’s gain of flesh At the expense of what he might Have called his soul, And soul – though vanity Was far more juste a term – Had gained a head of steam So when the singer threw herself Into his arms after her set Expecting accolades He coughed She was without a doubt Extremely easy on the eyes And hers, I couldn’t help but see, Began to fill with tears At the rebuff I did the only gentlemanly thing I could And tried to smooth the feathers of This wounded dove . . . You know, I never thought of French philosophy As something practical But thankfully my former girlfriend Bit into my former friend’s morceaux (As he was wont to call his paltry verse) With such a stream of prose that night That songstresses and newfound lyricists Could exit without much ado I wouldn’t call them poetry, of course, My rhymes, Although to judge from their accompaniment My consolation must have been Devoutly wished ________________________________________________________________________ Emanuel E. García, Wandering Bark, 2013 |